Flemish, Approx. 1578-1661  Related Paintings of Neeffs, Peter the Elder :. | Story | View of Vetheuil | Troika. Apprentices fetch water | Folio from the Mayer van den Bergh Breviary | Saint John the Evangelist |
Related Artists:
DUPUYS, Pierre
French painter (b. 1610, Montfort l'Amaury, d. 1682, Paris).
Jozef Simmler
Jozef Simmler (March 14, 1823 - March 1, 1868) was a Polish painter known for his classical style and his Polish subjects. Perhaps his most famous work is Death of Barbara Radziwillowna. an oil on canvas work completed in 1860. It now hangs in the National Museum, Warsaw. His daughter's brother-in-law was Eduard Strasburger, the famous Polish-German botanist. One of Simmler's grandsons was Henryk Leon Strasburger, a Polish delegate to the League of Nations
Giovanni Migliara
Italian 1785-1837 He began his career as a scene painter with Gaspare Galiari (1761-1823) in Milan, working at the Teatro Carcano in 1804 and at La Scala from 1805 to 1809. Owing to illness, after 1810 he turned to small-scale works in watercolour or oil using various supports, including silk and ivory. At this date Milanese painting was dominated by Andrea Appiani and Luigi Sabatelli, both leading Neo-classical artists. However, Migliara remained aloof from this dominant movement and instead drew on medieval and historical subjects with Romantic undertones. His precise, jewel-like technique and choice of subject-matter found favour with aristocratic patrons in Milan. His figures are generally stilted and burdened by their costumes, though the crowd in Sacking of Minister Prina's House (1814; Milan, Gal. A. Mod.) is depicted with unusual fluency. In 1822 Migliara was appointed Professor of Perspective at the Accademia di Belle Arti, Milan, and in 1833 he was nominated painter to the court of Charles-Albert, King of Sardinia (reg 1831-49). More typical of his historical scenes is Entrance to the Castle of Plessis de la Tour (Turin, Gal. Civ. A. Mod.), which was exhibited at the Brera in 1833. He also produced many topographically precise pictures of church interiors in which he combined his training as a scene painter with his knowledge of intaglio techniques.